Encounters and Disencounters of Chilean Popular Music 1970 – 1990
$16.000
The book delivered to us by Juan Pablo González extends his previous studies on the history of Chilean popular music into a more recent past. Although a common “way of doing things” persists, more specifically musicological approaches to the material are emphasized here, with timely inflections toward the intrinsic analysis of languages. Temporal proximity allows him to interact with the protagonists of these processes and to include his own experience with them, in the certainty that the social runs through private memory. The choice of thematic cuts, the multiplication of observation points, and the alternative reliefs accorded to different phenomena and dimensions productively reconstruct the lush landscape of these musics, the social imaginaries it summons, its interaction with contexts, and its tensions and agreements.
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Ivory paper
Rustic cover
Measures 23 x 15 cm.
Interior Between.
Encounters and Disencounters of Chilean Popular Music 1970 – 1990
| Autor | Juan Pablo Gonzalez |
|---|---|
| Portada | Ver portada |
| Year | 07-2017 |
| Nº de páginas | 339 |
| ISBN | 978-956-357-109-7 |
| Intellectual Property Registration | 279598 |
| ISBN digital | 978-956-357-110-3 |
Juan Pablo Gonzalez
Chile. Doctor of Musicology from the University of California, Los Angeles, director of the Master's program in Latin American Musicology and the journal Counter-pulse from the Alberto Hurtado University, and coordinator of the Regional Association for Latin America and the Caribbean of the International Musicological Society, ARLAC/IMS. Between 2022 and 2024, he was a visiting professor at the Complutense University of Madrid. He has contributed to musicological education in the region by creating undergraduate and postgraduate programs at various Chilean universities. and giving seminars in Argentina, Peru, Colombia, Brazil, Mexico, and Spain. Along with his numerous articles in academic journals, highlight their four latest books Encounters/Disencounters in Chilean Popular Music, 1970-1990; Violeta Parra. Three songwriting albums -en co-authorship–; Thinking about Music from Latin America: Problems and Questions, with five editions in Chile, Argentina, Brazil, and the United States; and Chilean auteur popular music. Industry and citizenship at the end of the 20th century.
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